'Why Forbes' 'Highest-Paid' is a Dubious Honour' - Robert Downey, Jr.
On Wednesday,
Forbes released its annual list of highest-paid actors and, for the first time,
Robert Downey Jr. topped the list. The man best known these days for playing
Tony Stark had raked in $75 million between June 2012 and June of this year,
best among all actors.
News reports were
breathless -- not least of which the report from Forbes itself, which touted
his success as a coup of sorts. “It’s hard to remember that just a few years
ago, Downey was box office poison, and regarded by the studios as damaged
goods.” Now, the magazine said, “he’s a hit machine.”
Well, Marvel is the
hit machine -- Downey has struggled outside it -- but that’s a separate post.
But there’s a bigger point in the Downey crowning: though he may be earning
more than ever, he’s not necessarily doing his best work.
Even ardent Downey
fans would be hard-pressed to call his two movies over the highest-paid period
superlative, or enduring. “Iron Man 3” is derivative stuff -- derivative of
himself, sure, but still hardly fresh. And while as a movie “The Avengers” had
its virtues, 'Tony Stark redux' was not high on the list. That’s not to say
Downey isn’t still a good actor. It’s just that his best stuff came well before
he started making top bank.
What’s interesting
is that when you look at past holders of the Forbes title, Downey is hardly an
exception. The list is filled with strong performers who did their best work
years or even decades before they drove the biggest Brinks truck. Last year it
was Tom Cruise who topped Forbes' list. Cruise has made some great movies over
the last three decades: “Top Gun,” “Rain Man,” the first “Mission: Impossible,”
“Minority Report” even “Tropic Thunder.” There’s a reason why studios would pay
him big bucks.
Unfortunately, what
he made during the June 2011 to June 2012 period wasn't close to these
movies: “Mission Impossible: Ghost
Protocol” and “Rock of Ages.” And he was about to enter a period when he would
make several other films that could hardly be called Oscar gems: “Jack Reacher”
and “Oblivion.”
The trend follows
down the line: a 2011-era Leonardo DiCaprio, a circa-2010 Johnny Depp. The most
glaring example in recent years may have come in 2009, when Harrison Ford
landed the honour. Ford climbed to the top of the list courtesy of his payout
in “Indiana Jones and the Kingdom of the Crystal Skull," a movie whose
most notable achievement is that it paid Harrison Ford that much money to star
in "Indiana Jones and the Kingdom of the Crystal Skull."
The problem with
the money metric is that, with just a few exceptions, by the time the actors
are getting the big bucks, they’ve already long finished with their great work
and are now in their payday period. And the biggest paydays these days are for
long-in-the-tooth franchises for which studios desperately need the original
star, which only exacerbates the problem.
You could argue
that landing atop the list is a harbinger of good things to come. After all,
once an actor is that financially secure, he should have the freedom to do the
kinds of films that best capitalize on his talent, without regard for box
office or pocketbook.
But unfortunately
it doesn't work that way. Johnny Depp topped the list in 2010. He then took all
that moola and freedom it bought and made... "The Tourist," "Pirates of the Caribbean: On Stranger
Tides,” “Dark Shadows” and “The Lone Ranger.” “Edward Scissorhands” they
weren’t.
It’s all well and
good to look at a list like Forbes to determine who studios value at a given
moment. But top-earning potential is hardly synonymous with quality. In fact,
too often it indicates that the quality has begun to fade.
Culled from LATIMES
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